For me, at least, this answers the question of whether to use Traditional or Simplified Chinese in our event posters. Full article here: https://eyeondesign.aiga.org/tracy-ma-takes-us-on-a-typographic-tour-of-the-signs-of-manhattans-chinatown/
A brisk fall day made a great backdrop for reintroducing myself back into wandering and making pictures. I definitely missed going on walks like this. Not sure why most of my photos are in portrait, but oh well I am happy with them!
We are leaving for our Asia trip in exactly two weeks!! Hong Kong is the first stop, and although neon signs are sadly on their way out, I’m looking forward to seeing the impact these lights have left behind and how contemporary signs do their best to imitate neon. I just love the idea that a city can have its own visual language for all the shops and services available. I love the messiness and simultaneous elegance and loudness of neon. The visual aftermath of businesses vying for optimum sign exposure creates some of the most exciting vertical landscapes I have ever seen. Hong Kong’s neon is also highly related to rising costs in cities, public health, and increasing regulations, and the article below talks briefly about that. I am so ready to get lost in this metropolis.
A bit of a diversion from the usual subject matter, but this is important to me. I struggled all throughout high school with classes that based a large portion of its grade on participation. Speaking up was physically and mentally paralyzing. I would be sweating beads, heart rate beating as if I was running, trying to find a moment to force myself to say anything.
Teachers would make comments about how well I would do on written assignments but then would fail to say a single word in class discussions. I hated myself for it. I felt dumb and inadequate. And my grades suffered for it.
It wasn’t until college where I stumbled into a class, and later on a program, that was attuned to our different ways of learning and engagement. I learned that I thrive in small groups, that I actually love public speaking. I spoke up, gave my opinions, and felt like I could make a difference.
As I began to accept the ways in which I learned differently, I also began to appreciate those traits as qualities and not deficiencies. It was OK for me not to speak up in large group discussions, because I knew I could share in smaller groups and in other forms. Having professors who understood the value of students who learned by listening, not speaking, made all the difference in my education and perceptions of self worth.
Full article: https://introvertdear.com/news/introverts-speak-class/
I just wanted to share this amazing platform that showcases black excellence in the fields close to my heart: planning, public service, art, and advocacy. Inspiring work from inspiring people.
With the movie coming out in theaters this week, I wanted to take some time to reflect on this bit of cinematic history. Is it worth the hype, or was this not the film we were waiting for?
The fact that we feel like we need to over-analyze this single movie is a testament to how underrepresented Asians and Asian Americans are in Hollywood. Crazy Rich Asians shouldn't be and isn't a story about all Asians, so we shouldn't be upset if this one movie doesn't reflect our own personal experiences or values. This is ONE story - and yes, there are very valid criticisms about it - but there are a million more stories with Asian and Asian American leads to tell.
Out of all the reviews and opinion articles I've read, I found this opinion piece from Code Switch to summarize my sentiments.
"So often, when we discuss movies or TV shows for or with Asian-Americans, or any group of people of color, we demand it be everything for everyone. It's an unfair burden. We feel #repsweats, a term comedian Jenny Yang coined a few years back when discussing the launch of Fresh Off The Boat. It's the idea of sweating it out over representation, that feeling of: I don't even need to like this thing, but I need it to win, and the conviction that the thing in question has to be the best, so it can pave the way for more, since it's the only one of its kind.
I think there are valid critiques out there of Crazy Rich Asians: how Singapore is portrayed without its blemishes, how the country's Indian and Malay populations are all but nonexistent in the movie, how the film could say more about the overseas Chinese and their dominance in Asia. What all of this gets at, of course, is our need to have our stories told. But to demand that this movie meet the disparate needs of every person who sees it would be to force this movie to carry the sky on its shoulders, an overextended Atlas."
I had a huge grin on my face the entire time listening to this podcast. "Everything is Alive" gives inanimate objects a story and personality, and the world is a better place for it.
At first I was like helll no, but now I think I agree with the reporter's conclusions... The whole situation still makes me feel a little weird, and I still have a lot of conflicting thoughts (such as, "Why do white folks have to take everything from POC?" vs. "But Koreans totally accept them so it's not appropriation.") Ultimately though, I think these guys have a place in K-pop, even if I won't be listening to them anytime soon. Ugh.